Review originally posted on Pop’stache
Animal Collective has clown shoes to fill following 2009’s stellar Merriweather Post Pavilion on their ninth proper album, Centipede Hz. The Collective: Avey Tare (David Portner), Panda Bear (Noah Lennox) and Geologist (Brian Weitz) are rejoined by fourth founding member Deakin Continue reading
Bloc Party was one of the most celebrated bands to emerge in the 2000s post-punk resurgence. Their stellar 2005 debut, Silent Alarm, slated them as one of the brightest newcomers to the indie music scene. What happened then? Continue reading
In honor of the Self Hating Hipster’s first birthday, I asked the SHH himself what the topic of the first style guide in almost a year should be. If you’re not familiar with some of the other ones I’ve written, what I like to do is talk about a style of beer, it’s background, and offer some suggestions to help you navigate the beer store so you don’t have to ask the guy at the counter, who is busy doing scratchers. Continue reading
Love Rock Revolution: K Records and the Rise of Independent Music by Mark Baumgarten (2012)
Some Velvet Sidewalk’s Al Larsen coined the term “love rock” in his music manifesto: “When Sonic Youth do ‘Kool Thing’ they are love rock. Or when Beat Happening trade roles, singer to guitarist to drummer. When Nation of Ulysses makes an absolute sincere mess or when the Melvins Continue reading
Purity Ring is the Montreal-based duo of Megan James and Corin Roddick. Since forming in 2010 they released four singles prior to their debut, Shrines. The first, “Ungirthed,” garnered them some deserved attention in early 2011 while Purity Ring was still a relative internet unknown Continue reading
Glacial is an impressively eclectic trio: Sonic Youth’s Lee Ranaldo on guitar, The Necks’ Tony Buck on drums and Highland Bagpipes’ contributor David Watson on, well, bagpipes. The fact that this album is one 48-minute track, it’s an instrumental and bagpipes are involved might immediately sound like a kitschy experiment Continue reading
Shortly after 8 o’clock last night Sharon Van Etten took the stage accompanied by Heather Woods Broderick in the Swyer Theatre at The Egg. She wore a simple but very flattering black dress and shyly said “Um, hello” into the microphone before slinging her bright red electric (yes, electric) guitar over her shoulder. Continue reading
Jonny J was kind enough to take point on LCD Soundsystem’s documentary which played for one night only in select theaters this past week. A big thank you is in order for Jon as he purchased a pair of tickets for him and I to the last show as an early birthday present for me last spring. I shared the concert with someone great!
I was fortunate enough to see LCD Soundsystem’s rock-doc in Astoria’s Museum of the Moving Image, where the theater acoustics were the most perfect I have heard in any theater to date. The concert segments made you feel you were actually at the show, superbly recorded in audio and film.
Amy Heckerling’s Clueless (1995) should be on everyone’s Top 10 Teen Comedies list. First of all, it might be the best adaptation of a Jane Austen novel (Emma). Second, the film is solely responsible for the popularization of phrases like “Whatever!” and “As if!” which (regrettably in hindsight) remained a major part of teenage girl vernacular for the better part of two years. But most importantly, Clueless is a zeitgeist flick that Continue reading
Seeing the Light: Inside the Velvet Underground by Rob Jovanovic (2010)
Republished on Pop ‘stache after some tidying up…
Lou Reed: “We put a ship in the water, it turned out to be a turbo-powered sub and it took a while for it to land wherever it landed. Time was the real judge. The proof was in the work, and the work is on the record.”
SHH: “Rob Jovanovic put out a book on The Velvets, it turned out to be a slow-chugging sub and although it infrequently put its periscope up for an interesting anecdote, it never lands. The proof is in the shlock, and the shlock is in the book.”
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Rob Jovanovic has penned very competent and comprehensive books on artists including R.E.M., Pavement and Big Star. His latest book on music is Seeing the Light Continue reading
the self-hating hipster 