A review/track-by-track analysis of “Crazy Clown Time,” or at least until I’m sufficiently weirded out.
David Lynch released his “first” album this year. I say “first” because David Lynch has been collaborating on music for his films for years with his soundtrack man, Angelo Badalamenti. It’s David Lynch so I knew it was going to be weird as all get out and intermittently creepy, if not creepy through and through. It’s all of that, but it’s got some surprises. Continue reading
the self-hating hipster 